"[69] By the mid-1940s, Turner had been married and divorced three times, had given birth to her daughter Cheryl and had numerous publicized affairs. [116] She portrayed Cora, an ambitious woman married to a stodgy, older owner of a roadside diner, who falls in love with a drifter and their desire to be together motivates them to murder her husband. Turner left the majority of her estate to her maid, Carmen Lopez Cruz, who had been her companion for 45 years and caregiver during her final illness. The pair, per TCM, divorced shortly after. [128] As of early 1946, Turner was set for the role, but schedules with Green Dolphin Street almost prohibited her from taking it, and by late 1946, she was nearly recast. Turner was a regular drinker[270] and cigarette smoker for most of her life. [99][100] Their marriage was annulled by Turner four months later upon discovering that Crane's previous divorce had not yet been finalized. [21] She expressed interest in performance at a young age, performing short dance routines at her father's Elks chapter in Wallace. In her years as a top box office draw, she and longtime studio MGM forged her statuesque form into any number of pop . These Freudian Montage Shots Show Mental State of Jekyll Changing to Hyde", "Lana's Kisses Sell Bonds Without Her Fancy Speech", "The Story is the Same But Hollywood Has Changed", "Movie of the Week: The Postman Always Rings Twice", "Lana Turner To Play Lead In 'Green Dolphin Street", "Hepburn's Screen Career Unaffected by Frankness", "Lana Turner Says She Is Now the Home-Girl Type", "Lana Turner leaves Footprints At Grauman's Chinese Theater", "Pinza Is Tops, Lana Is Dull In 'Mr. 10 Dramatic Facts About Lana Turner | Mental Floss "She was doing fine. The growth of maturity is reflected neatly in her distinguished portrayal. [120] Turner commented on her decision to take the role: I finally got tired of making movies where all I did was walk across the screen and look pretty. Turner spent most of the 1970s in semi-retirement, making her final film appearance in 1980. [164], In 1955, MGM's new studio head Dore Schary had Turner star as a pagan temptress in the Biblical epic The Prodigal (1955), her first CinemaScope feature.
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